Best color correction after effects premer
Instead of playing around with the hue saturation curve as detailed above, Justin uses the RGB curves under the curves tool. Re-creating a Jaden Smith music video, Odisho stays in Premiere and employs the Lumetri tool as well.
Best color correction after effects premer pro#
effects like the Curves or the Fast Colour Corrector in Premiere Pro to make sure. Once you’ve created a mask for the sky portion of your shot, bring out the blue in the sky by decreasing the t emperature and highlight and increasing the Whites.Īnother excellent example of color grading your shots while the sun is setting comes from Justin Odisho. You cannot control how the screens display your video and what colour. Both of these options work just choose which method fits your workflow better. This example uses duplicate clips instead of creating a mask within the Lumetri Effect. Next, we’re going to grade the sky and the beach individually. For the ocean water, select the closest shade of blue you think works, and increase the saturation as much as you’d like. Starting with the central section of the sun, set your points in the general area of the color you’re working with and drag (and add) however much intensity you need. Open up the Curves tab - it’s time to work with your hue saturation curves. After that, you can increase the vibrance to bring out a few of the colors that will give the image a little bit of life. If I have any other effects to apply to a shot, I will use After Effects, otherwise, if a shot just needs minor changes and corrections, I’ll use Premiere, where I put the shots together. Next, open up the Creative tab in the Lumetri panel. Increasing the sharpness should be fine as long as your shot is fairly wide. There are an extremely large number of colour correction tools available in both Adobe Premiere and Adobe After Effects.
Next, you can add a little bit of saturation to bring out some of the more vibrant colors. Don’t worry about overexposing the parts of your image around the sun what’s important is keeping detail in the overexposed areas. Then, increase the whites to make the sunlight pop in the background. To preserve the details in these highlights, bring the highlights control down. So to kick things off, bring down the exposure of the clip in order to bring out the highlights. Editorial uses FCPX, VFX uses After Effects and C4D, and I do initial correction in RCX and then finish color in Resolve. If you’re working with C or S Log, just search for the LUT you need and the Log you’re working with, and you should find what you’re looking for. At our in-house production and post-production company, we shoot 90 RED with some FS700 and other rented gear. They apply a LUT to this clip that transforms the clip into a Rec. The image works with in this tutorial with was shot on a GH5 in vLog, creating a very flat image but giving us more dynamic range to work with.